Artist Harold Caudio Sweetens Up TNCS’s Black History Month Celebration!

Rounding out the month of February, students at The New Century School put on a first-of-its-kind show at the school. Although celebrating Black History Month has always been a theme in classrooms, this year, at the suggestion of TNCS Parent Council Director Sakina Ligon, it expanded to the stage. (Read about TNCS’s Inaugural Black History Month Celebration and see photos of projects as well as videos of choral and other performances here.) Also note that Head of School Shara Khon Duncan and Curriculum Coordinator Adriana Duprau ensure that African Americans—as well as people from a variety of backgrounds—are represented across the school curriculum throughout the year.

In last week’s post, Immersed hinted at what made the Black History Month celebration extra special even beyond all the wonderful student efforts led by Javan Bowden (aka, “Mr. B”)—the visit by Florida artist Harold Caudio—but this visit warrants a post all of its own. So, it’s time now to meet Mr. Caudio, take a closer look at his one-of-a-kind art, and hear his inspiring message.

Welcome to TNCS, Harold Caudio!

Asked to present at the evening by family friend Ms. Ligon, Mr. Caudio made the 13-hour drive from West Palm Beach to Baltimore in a single day. This huge effort was not lost on the TNCS community, and the audience continuously demonstrated their immense appreciation. Something else elevated his visit to legendary status. . . the date, February 26th. On the same day back in 2012, high school junior Trayvon Martin was fatally shot in Sanford, Florida, by a neighborhood watch captain, launching nationwide protests. Trayvon was unarmed, carrying a bag of Skittles candy and an iced tea. He was 17 years old.

The Colored Collection

That injustice haunts the country, but for Mr. Caudio it was the impetus to create “The Colored Collection,” a series of portraits of iconic black individuals, the first of which was Trayvon Martin titled “Justus.” The medium he uses? Mr. Caudio’s portraits are done in Skittles, in honor of Trayvon. The name of his collection is thus a play on words on many levels: In an artist bio, the author writes, “Harold named the artwork ‘The Colored Collection’ because we, as ‘colored’ people have had a huge impact on society and culture; we color the world. It’s a way of flipping an insult and making it impactful pop art. The idea of the collection is to bring people together, no matter what color or background while spreading unity and peace.” It’s also a nod to the Skittles themselves, which are known for their bright colors that invite us to “taste the rainbow.”

The story of Trayvon resonated with Mr. Caudio personally. As a black (Haitian American) man, it struck him—again, quoting from the bio—“how easily it could’ve been him, or his son, brother, cousin, or friend.” That sense impelled him to do something, to make art, in fact.

Mr. Caudio was not new to the creation of art. “From as far as I can remember,” he says, “I have been making art since I first learned to pick up a crayon and color, doing kiddy stuff like drawing on the walls and getting trouble,” he joked. Although he didn’t necessarily take art seriously at the age of 3, he has since worked with several media, including clay, bronze sculpting, acrylic, pastels, and so on. In addition to his portraiture, he currently has a clothing line called Cultured Revolution that he talks about briefly in this clip.

Back to the “The Colored Collection,” other individuals he has immortalized include Michael Jackson; Tupac; Xxxtentacion; Beyoncé, Rihanna (pictured below, though many mistake this one for Lauryn Hill); Toussaint Louverture (also pictured below; hint, he’s the only one wearing epaulets) Bob Marley; Will Smith; ; Michelle Obama; and, his most recent work, Kobe Bryant, which he débuted at TNCS. That was one powerful moment, with Kobe and his daughter Gianna having tragically died in a helicopter crash only a few weeks prior.

So how does Mr. Caudio choose the people he portrays?

I choose people that I relate to Skittles candy. Those who make people feel good, who move the culture forward. If they have a sweet, positive impact on society, I aim to immortalize that message with my art. When I think of Skittles, I think of the mantra ‘taste the rainbow.’ The different colors represent us as a people. If we come together, we can be beautiful just like the figures I choose to do are doing.

The process he uses to capture these faces so beautifully, he says, is all about lighting. “I maximize seven colors and play with the lights from darks until it makes sense.” He had to borrow white Skittles from the UK, where they were made to celebrate LGBTQ Pride, but otherwise, he buys Skittles by the gallon from Walmart. White Skittles don’t have a special flavor—they taste like another color, but the taster won’t know which one until it’s on the tongue! Even in the white Skittles, though, there is inherent symbolism. Although white is itself achromatic, it reflects all the visible wavelengths of light. According to the “additive color theory,” all the colors of light together create white. Apply that to Mr. Caudio’s art, and you again get his idea that society comprises people of all colors, and their individual contributions are beautiful, as is what those collective contributions create.

Most of Mr. Caudio’s 17 total pieces are on exhibit in South Florida, but he accepts commissions for custom portraits (“dog, cat, bird,” he joked) and is also willing to auction pieces for charity. JUSTUS, for example, was purchased by Queen B’s mom for her WACO (Where Art Can Occur) Theater Center. His works are designed to last, he explains. “They’re coated with resin and mixed materials to last forever, from what I can see. They don’t attract bugs,” he later joked. They take, on average, about 2 weeks to create. JUSTUS, though, his first, took 6 months while he got the hang of his process and absorbed the import of what he was creating.

If you’re detecting an influence from another Haitian American artist whose pop art–esque portraits were also saturated with color, you wouldn’t be off base. Mr. Caudio cites Jean-Michel Basquiat as a primary influence as well as Bob Ross and Roy Lichtenstein in the modern world. He also appreciates many of the Renaissance painters.

Q&A with Harold Caudio

After the student performances on Black History Month night, Mr. Caudio gave a brief presentation about his work, then Ms. Ligon facilitated a question-and-answer session between audience members and the artist.

Ms. Ligon also made sure to give TNCS students a chance to grill Mr. Caudio. (Perhaps not surprisingly, many of their questions are about candy.)

Mr. Caudio’s works remained on display in the auditorium after the student performances so attendees could get a closer look at the portraits and meet the very generous, very warm, and very funny Harold Caudio. His visit will certainly go down in the annals of great moments at TNCS!

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Artist Harold Caudio and TNCS Head of School Shara Khon Duncan are shown here flanking Mr. Caudio’s portrait of François-Dominique Toussaint Louverture, celebrated general of the 18th-century Haitian Revolution.


More From the Artist Bio:
His most recent collection was featured at Art Basel Miami 2018 and Art Palm Beach 2019. Harold created the ‘The Colored Collection’, an emotion-evoking series of portraits made entirely out of Skittles. Word has traveled and continues to spread rapidly about this collection, it’s already been viewed by millions of people, gone viral on social media sites and featured in numerous big publications & networks such as Business Insider, Young Turks, NBC, ABC world news, Palm Beach post, LA Times, Fox News, Wearable Art Gala feat Beyoncé, 60 minutes, and more.

A Day in the Life: Peeking into TNCS Division by Division!

What happens at The New Century School does not stay at The New Century School. Instead, the magic that fills each and every day enriches the lives of the students who experience it far beyond the classroom. Imaginations are sparked, perspectives broadened, values instilled, skills honed, spirits of adventure awakened. All while students pursue rigorous academics in an environment that allows them to learn and progress at their own paces.

Although this last attribute is typically understood to mean that a student who is not ready to work at a standard age level is not forced to try to do so and therefore burn out, and that’s of course the case at TNCS where applicable, it often means the inverse here—students are not asked to wait for anyone to catch up to them but can soar as high as they so desire.

Among the TNCS community, we have watched this magic transform our children lives, but it can be difficult to articulate to someone unfamiliar with the school. Sometimes, it  just needs to be seen to be believed. So, this week’s Immersed is trying something a little different. Throughout the past years, we visited classrooms unannounced to get inside glimpses of what any given day looks like in each division. You can bet there’s almost always something special going on. Maybe that’s because with daily triple language learning, visual and performing arts, an emphasis on service learning, and a pervasive atmosphere of inquiry, there’s just no such thing as quotidian at this school. We invite you to look closely at the montages to follow. There are worlds to see.

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A Day in the Life: Preschool Division

TNCS’s littlest learners in the preprimary classrooms, ages 2–3, focus on social and emotional development. They learn to work in groups and cooperate with their peers. They are immersed in either Mandarin Chinese or Spanish, so, as they cultivate language skills, they do so bilingually. Take a recent visit from Spanish-speaking Clifford the Red Dog and Pete the Cat. In addition to being exposed to language in all forms, making music and art are their main in-class pursuits, and artists are invited to classrooms to present their age-appropriate art. As students are ready, they begin to explore the Montessori materials they’ll see regularly in the primary classroom.

In the TNCS primary Montessori classroom, students ages 3 to 5 develop the ability to concentrate—to start, work through and complete a given task. They use Montessori materials to hone fine and gross motor skills both individually and in small groups. They continue to develop socially and emotionally and begin to refine their language skills in, now three, languages. Art and music are daily pursuits as is an emphasis on peace and kindness.

A Day in the Life: Elementary Division

In elementary grades, K through 5th, academics become more rigorous, but the focus on visual and performing arts, music, and languages also amps up, with dedicated teachers in each subject, making for a truly well-rounded education. Fostering independence while celebrating community, the elementary program encourages students to ask questions then figure out how to find the answers. Field trips to local spots of interest as well as in nearby towns happen at least quarterly.

As elementary students age up, they move to building north, which they share with middle schoolers. Here, service learning expands to include the outside community as well as the campus.

A Day in the Life: Middle School Division

When TNCS students hit the big time, a lot changes for them at school. Academic preparation intensifies, as they ready for high school, but research shows that middle schoolers can flounder socially and emotionally, so TNCS students are given loads of opportunities to try out their burgeoning independence in new ways and develop self-confidence and self-agency.

This peek inside some typical days at TNCS (where a typical day is anything but typical) should make it clear—TNCS students have the world at their fingertips.

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American Music Camp Keeps the Beat for Third Year Running at TNCS!

The New Century School has made quite a reputation for excellent music education. Summer 2019 closed with the third annual American Music Camp (AMC), formerly known as AMS-Baltimore, led by Camp Director Yoshiaki Horiguchi “fondly known as “Mr. Yoshi.”american-music-camp-at-tncs

Here’s the thing about AMC—it needs to  be seen and heard to be believed. Returning campers and new recruits alike took their music-making abilities to new levels and, most importantly, they had so much fun doing it. The point of AMC, after all, besides exposing younger generations to America’s rich musical heritage (AMC is sometimes referred to as “fiddle camp”), is to help them get comfortable making music, to let loose and jam, to give something different a try, to collaborate in new ways.

And, it works!

Mr. Yoshi was quick to comment, though, that TNCS itself gets credit for some of the magic: “Thank you to the staff of The New Century School and this wonderful facility,” he said. “This camp would be so different if it were anywhere else. So thank you for making it possible.”

So much can be said of AMC and its origins, and Immersed encourages readers to visit 2017’s American Music System Summer Camp at TNCS! and 2018’s AMS-Baltimore Enjoys Second Amazing Year at TNCS! for more background, but this year’s post will focus on what happened at TNCS from August 12th through August 16th. Because it truly is magical and speaks for itself.

So, enjoy! Oh wait—one more thing—AMC included mandolin for the first time this year, instruments courtesy of Laura Norris’s Mando for Kids Baltimore Chapter!

Jam and Bucket Drum Classes

Each day followed a similar structure, with students doing music lessons, taking specialty jam and bucket drum classes, doing recitals, and also getting lots of time to play games and run around.

This is Jam Class. You may recognize returning camp instructor Melissa Tong, back for her third year from New York, New York.

Mind you, that’s just a taste. Visit TNCS’s YouTube channel for more videos of Jam Class, including “Havana”!

This is Bucket Band. Remember camp instructor Rob Flax?  He joined us for the third year running from Boston, Massachusetts. Mr. Yoshi thanked both Rob and Melissa for taking a week out of their busy performance schedules to join AMC camp. Cellist Zoe Bell also helped out this year.

Recitals

Now things get really interesting. Each morning when campers arrived at AMC Camp, they were given the opportunity to join up in bands. They agreed on their formats and then told camp instructors their band name and what tunes they’d be a’playin’. Here are Thursday’s bands.

Thirsty for more? Once again, visit TNCS’s YouTube channel for more recital videos by such awesome chart-toppers as The Chicken Noodle Soup!

On Friday’s recital, attended by some other TNCS camp-goers, bands posed for band shots (hover over the image to see their band names). For their songs, visit, you guessed it, TNCS’s YouTube channel!

Final Performance

And now, for the culmination of the marvelous week of music-making—the final performance!

“I’m a firm believer,” said Mr. Yoshi. . .

. . . that all of the life lessons you need for living in a health, happy community are all things you can learn from being in music camp, whether it’s getting a group of people together and collaborating on a tune to play in a recital or getting up on stage, conquering your fears, and presenting yourself or being able to improvise when life throws seemingly random curveballs and being able to respond appropriately for the benefit of all  the people around you. So thank you parents and students for being a part of this week.

More final performance videos can be found at TNCS’s YouTube channel, and you won’t want to miss them! Let’s face it, it’s going to be a long wait for AMC Number Four in Summer 2020! Can’t wait to see you there!
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Musical Theatre Camp 2019 Welcomed Some Very Special Visitors!

The New Century School is special for a great number of reasons, and several of those reasons come together in this week’s Immersed. To start with, TNCS offers hands-down the city’s most varied and exciting lineup of summer camps, and Musical Theatre camp led by the always marvelous Martellies Warren is a perennial favorite. Then there’s all that goes into what makes such a camp so effective and so wonderful for young learners—the arts, the music-making, the mixed ages collaborating so beautifully! Not to mention skills relating to the camp  theme! But there’s one extra-special aspect to this year’s Musical Theatre camp that elevated it even further: four attendees from China joined the fun!

Meet Mike, Jane, Coco, and Alex!

“Mike” (Zimo Han), age 11, is from Hunan. “Jane” (Xinyi Ma), age 11, and “Coco” (Jiarui Sunn), age 9, both live in Beijing. “Alex” (Qinghua Shang), age 6, is from Tianjin. The group was in Baltimore for 1 week, after which they headed to New York, NY for 4 days of sightseeing (Statue of Liberty, Empire State Building, Times Square, etc.). It was everybody’s first visit to the United States. Mike and Jane were accompanied by their mothers (Aili Mao and Jing Li), and Alex was accompanied by both his mother and grandmother (Yu Zhang and Aixian Zhang). The group also had a “handler” of sorts from the Harvest Company of China to help facilitate activities and make sure everyone was comfortable. They stayed in two furnished Baltimore row houses in the Bolton Hill neighborhood and enjoyed having three spacious floors of living space to run around in. Their evenings after camp were mostly spent relaxing at home, playing chess and other boardgames and watching tv—they even learned the idiom, “to click around” when referring to not watching anything in particular but channel surfing. The adults in their party cooked breakfast for them each day, but they had plenty of opportunity to eat their favorite food—pizza! Lunches and dinners were often enjoyed out at restaurants.

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The kids spoke wonderful English as a result of lessons in school, but they also appreciated the chance to speak Mandarin Chinese with TNCS students. They reported having a great time and made lots of friends at camp. Back at home in China, their hobbies included playing basketball (Mike), drawing (Alex), reading (Jane), and figure skating (Coco). See some of their other talents below! While the kids were in camp, the adults did some sightseeing around town, taking in Johns Hopkins University and the Peabody Library, for example, as well as visiting the Naval Academy in Annapolis and getting some shopping in at Arundel Mills Mall. A Target run was also de rigueur!

Behind the Scenes

Because Peter and the Wolf only has a handful of roles, the 25 total campers took on roles as a group, so, for example, the character of “Duck” was actually four campers. Campers ranged in age from rising 1st-graders to rising 7th-graders, and they hailed not from just China and TNCS but from schools all over the city like Patterson Park Public Charter School, Hampstead Hill Academy, St. Casimir’s, and the School of the Cathedral of Mary Our Queen. Helping Mr. Warren lead camp was intern Carrie, who came to TNCS from China in early July and will stay for 1 year.

They learned important technical skills like stage blocking related to being part of a musical theatre production. Mr. Warren reported that they had the whole performance mapped out on the first day and so were able to devote their remaining days to rehearsing. After each rehearsal, Mr. Warren provided some debriefing notes for each group.

Comments like, “Wolves, wonderful job today! You were in time with the music, and you have amazing music to play off of!” and “Remember AIC? Always in character!” were common. The performers themselves likewise offered suggestions for how to improve a certain scene, like “Grandpa(s) should hang their heads and look disappointed in Peter.”

As per usual, campers made art to decorate the stage front. These are stunning!

They also crafted props and costumes and made great use of the Imagination Playground for set pieces.

The Play Is the Thing!

Mr. Warren introduced the performance and vowed not to interfere but to let his pros handle anything that came up. “They did an amazing job acting and putting up with my silliness,” he said. “It was wonderful!”

And now, we present Peter and the  Wolf, in its entirety!

Farewell, Friends!

On the last day of camp, after the performance of Peter and the Wolf, Mike, Jane, Coco, and Alex treated the audience to some performances of their own.

They were also presented with Certificates of Participation in their English language immersion camp.

The adults who accompanied them were thrilled by the whole experience and were kind enough to share some of their impressions of the program. Alex’s mother is an English translation teacher at a college in Tianjin. Mike’s mother both promotes literacy and runs an Adidas store in Hunan. She also takes her job as mother very seriously and was very happy to be able to spend mornings with her son, here in Baltimore, cooking special meals. Jane’s mother is also in education.

They had various reasons for wanting their children to attend camp at TNCS. They wanted the authentic experience of a customized trip and did not want to be stuck on tours such as what a typical travel agency would offer. They wanted the flexibility to be able to have their possibly changing needs met, as Mike’s mom described it. They also wanted the chance to practice their English. Furthermore, their children tended to be shy, they reported, and they were hoping that an immersion summer camp might bring them out a bit. An ancillary reason is that they were very curious about immersion-style learning itself, which is quite rare in China. “The way you teach students and the way you live so freely is totally different from China. It really impressed me,” said Alex’s mother.

At TNCS Musical Theatre camp, Mike, Jane, Coco, and Alex were doubly immersed, in a sense, because they also had to get comfortable being on stage and making new friends. For this, the adults were beyond grateful. They saw their children bravely trying new things and quickly becoming comfortable doing so. “I still remember the first day Alex went to school,” said his mom, “and when he came back home he told me he didn’t want to go again because he was too nervous. The next day he came back and something had changed. He tried his best to join the class, and he was so happy from then on.”

Jane had a lovely time, too. She wrote a letter to her friends back home completely in English, which made her mother very proud. She was having so much fun with them that she stayed up late to make gifts for them. “She really cherishes the friendships she has made,” said her mom.

Normally very independent Coco experienced some homesickness at first but quickly adapted and returned to her gregarious, social self.

Jane’s mom mentioned that she noticed a big change in all four of the children after their week at camp. At first they were reticent, but they very quickly embraced the experience and were livelier than she had ever seen.

Mike’s mom’s nicest surprise was the Orient Express restaurant owned by a TNCS family. She said the Chinese food there was better than what she can get in China!

Alex’s grandmother was most taken with the arrangement itself. She appreciated being able to learn from the trip on their jaunts, while the children were having such a rich immersion experience. She also enjoyed feeling so welcome and commented on how friendly and thoughtful everyone has been. Monica Li got an especially warm compliment for all she did to make their time comfortable and smooth. Monica is indispensable to TNCS!

On their last evening in Baltimore, they were going to Tokyo Seafood Buffet, where they would be trying their first taste of Maryland blue crab. We miss them all already and hope they remember TNCS and Charm City fondly, as we will hold them dear as well!

 

TNCS Summer Theatre Campers Embrace The Bard!

From July 15th through 19th, The New Century School welcomed back annual guest instructor Alex Hewett, who led the first TNCS Shakespeare Camp! Ms. Hewett is a TNCS favorite and has taught many aspects of drama, including scenes from various Shakespeare plays, to TNCS students through the years. (You can see some of her past camps and workshops here, here, here, and here.) but this year is special for being dedicated to one of the Bard’s plays. Currently, Ms Hewett is a Teaching Artist at Chesapeake Shakespeare Company (CSC).

A Midsummer Dream Camp at TNCS!

We know what you’re thinking—Shakespeare?! For kids?! Ms. Hewett’s answer is a resounding yes. Nevertheless, with a mixed-age group, she had to be strategic. Interestingly, all of the campers are either going into 2nd grade or 5th grade, so she paired them up, younger with older. It worked like a charm!

I started with Puck’s monologue to see how we did with that, and then determined which abridged version of the play with how many lines we could get through in 1 week. I don’t like dumbing down things, but in order for us to get this done, I went with The 10-Minute or So A Midsummer Night’s Dream, ‘creatively edited by’ Brendan Kelso. It keeps the integrity of some of the text and definitely keeps the overall feel. It brings in some colloquial language, too, which helps the kids’ understanding.

Besides, A Midsummer Night’s Dream has fairies—very mischievous fairies at that—and lots of laughs. You don’t have to be a scholar to find the Rude Mechanicals funny! That’s not to mention Bottom in donkey form. Even more importantly, the play is about love, and camp centered on that theme. Ms. Hewett says:

Even though Shakespeare’s stories are hundreds of years old, the feelings that the characters have, whether heir kings or peasants, are the same feelings that we have today. We have love, we have disappointment . . . we have sadness and grief. His stories transcend any time period and any culture because we’re all human. The story plots are also relatively simple—someone loves someone else, but the love is not reciprocated; someone wants to have power but somebody else in charge. I particularly love A Midsummer Night’s Dream because it’s magical, and I think kids really relate to that.

She was joined by Amy Hechtzizes, who hadn’t worked with elementary age children in a while but found the experience “difficult and hilarious and awesome”! (Sounds about right.) The two met at a women’s theatre ensemble workshop at The Strand theatre. Costuming help came from artist Liz Swanson. The campers themselves came from schools all over the city in addition to TNCS, including Hampstead Hill Academy (HHA), Patterson Park Public Charter School (PPPCS), and St. Casimir’s. They contributed some lovely drawings on theme to decorate the stage. Props were fashioned out of Imagination Playground materials—those trees (see videos below) are works of art!

Hello, Chesapeake Shakespeare Company!

Midweek, as a reward for all of their hard work, the group of budding thespians got quite a treat—a field trip to the CSC’s theatre in downtown Baltimore! Led by Studio Director, Gerrad Alex Taylor, they toured the theatre, getting to see all areas, including backstage and the gasp-inducing armory . . . all those swords! Go ahead—ask your kids what orchestra, mezzanine, and second mezzanine are! They can also probably clue you in as to how the Green Room got its name. Back in Shakespeare’s day, backstage was outdoors, so unless they were on stage, actors were passing the time until they were needed outside “on the green.”  Some of the important directorial considerations he shared with them included how to stage the play so that the actors can engage all of the audience, even those they may not be directly facing.

Mr. Taylor is also an actor in the company. One of his favorite recent parts with CSC was the rebel Hotspur in Henry IV, Part 1, because he got to “throw a table” in that volatile role. He also acts in Washington, D.C. and has taught drama at HHA. The tour ended with a Q&A with Mr. Taylor. Then, to top it all off, they borrowed costumes and got to rehearse on the CSC stage!

The Course of True Love Never Did Run Smooth!

But this special production of A Midsummer Night’s Dream sure did! (Okay, there was one casualty in the form of a pair of unfortunate sunglasses.) Back at TNCS, the last day of camp meant that families were invited to come for a performance.

Want more? You can see additional videos including the full rehearsal at CSC on our TNCS YouTube channel—while you’re there, please consider subscribing!

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AMS-Baltimore Camp Enjoys Second Amazing Year at TNCS!

At The New Century School, music education is extremely important:

Music instruction has always been an important component of TNCS’s dedication to educating the whole child. Music is a meaningful part of every TNCS student’s academic journey, and music happens throughout the day, including during cultural study. In addition, formal music classes are available both during and outside the school day to elementary and middle school students.

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“Making music should be a communal thing and it should be accessible to everyone.” –Yoshiaki Horiguchi.

As the school has grown, so has the music department and the opportunities it offers. Last summer, TNCS strings instructor Yoshiaki (“Yoshi”) Horiguchi brought the first-ever American Music System (AMS) Camp to Baltimore, and a whole new avenue for music exploration opened up at TNCS. This year, AMC-Baltimore’s second year in existence, kept the music alive and branched out in some great new ways.

What is American Music Camp-Baltimore?

It all started in Charleston, SC—in fact, that’s where TNCS Co-Founders/Co-Executive Directors met Yoshi, then a camp instructor. According to the AMC website:

The purpose of American Music System . . .. is to create and support educational environments and activities that develop and nurture the musical and social skills needed for children to participate meaningfully in the rich culture of musical diversity in the Americas. Our top priority is quality education for all interested students through example, instruction, and mentoring. We strive to make these environments and activities affordable to families of all income levels.

amc-smallAmerican Music Camps have locations throughout the east coast, and AMC-Baltimore is the newest addition to the family (check out American Music System Summer Camp at TNCS! to learn more about its inaugural year last summer). While every American Music Camp has traditional American music at its core, each camp location has its own unique experience to offer. AMC-Baltimore, for example, is proud to include a bucket band and beat boxing in its curriculum, music-making specific to this region. Music that is common to all camp locations includes traditional music from the Appalachian Mountains to Bluegrass and Blues. Much of the music they learn has been passed down through many generations—some, like the Texas Waltzes you can view at the end, had never been transcribed until now but had lived on in the oral/aural tradition.

Students learn from world-class faculty who perform American Music in all parts of the country and get the opportunity to play in ensembles and learn how to improvise. This year’s camp instructor lineup included Emilie Catlett, Rob Flax, Yoshiaki Horiguchi (also Camp Director), and Melissa Tong. (Click their names to learn more about them or download their bios here.) Yoshi, Rob, and Melissa returned to AMC-Baltimore from last year’s camp, and Emilie joined afresh.

To qualify, students needed at least 6 months instruction on violin, viola, cello, bass, piano, or guitar. As many students study music through the Suzuki Method, AMC-Baltimore understands the importance of aligning with this method, offering the chance to hone skills and continue with daily practice while exploring music that is outside the Suzuki Method repertoire.

tncs-amc-baltimore-summer-campYoshi explained that each student received a lanyard at the start of camp that contained the student’s ID as well that student’s itinerary of classes.

 

Above all, students are encouraged to apply their hard work in an engaging and fun musical environment. AMC-Baltimore’s nickname—fiddle camp—says it all!

Making Music Magic

The thing about descriptions of AMC-Baltimore is that, although certainly a starting point, they can’t do this amazing camp justice. What happens during the week of strumming, drumming, picking, and singing is nothing short of magic. Students become receptive to and experience music in a way that formal instruction precludes. Parents report that their children start saying things like, “I didn’t know the notes, but if I closed my eyes, I could see the music.” Although trained from early ages to read music, they start picking up songs by ear. They are encouraged to jam, extrapolate, and improvise, and they are open to doing so because they see how much fun the instructors are having while modeling this approach to music-making. Oh! Music is fun!

So, if seeing (and hearing, in this case) is believing, here are some videos of in-class practice. Videos of the final performance students put on at the end of the week for families can be found below. (Also check out TNCS’s YouTube channel for even more!)

The above three videos show students separated by level (first is students with less experience; bottom two are advanced), but, “depending on the class,” says instructor Rob Flax, “some things are also all-group activities. There are really no rules, so whatever happens, happens. It’s a very carefree and exciting way to get creative.”

We’re Jammin’

A song called “Lobster Socks” grew out of one of these impromptu sessions (as well as Rob’s sartorial choices) but took on chords and a melody as more and more students caught the spirit. Said Rob: “We are looking to take music off the page and explore different stylistic ornamentation. Students learn how the different harmonies work and all the nuts and bolts that make up a song.”

(Rob’s verbal explanations were accompanied by musical demonstrations of what he was describing, which you can listen to here, to get the full experience.)

The way our jam sessions work is, we’re all sitting in a big circle, and anyone can start a song. As soon as I can figure out what the first note is, I can jump on in. Hopefully everybody jumps in. We tell the students, ‘if you’re not sure how this song goes, wait and listen. Maybe try and figure the notes out by ear as we go, or ask a teacher, or look at the chords on the board.’ Everybody find something to do—even if it’s slapping their cellos to a beat, like Yoshi does with his double bass. They can also do solos. A student just comes to the middle of the circle and improvises something that might be completely different from the melody of the song and just be as silly or creative as they want, then step back out and let the group take over again. The way we end a song is by sticking a foot in the air to signal that this is the last time!

There’s magic in that process. The jam sessions is where a great deal of discovery happens. I love to see, at the end of the day after all our other organized chaos, students finishing their day and still playing as they leave the room because they’re so excited. They’re still participating even after the show has ended, so to speak. That means we’re doing something right. That’s my favorite part.

Bucket Band

A perennial favorite among kids, bucket band rose to new levels, thanks to Rob’s instruction in Indian and Persian scales, among other types of music. Each student gets the chance to riff on a theme in “Rufus,” and the other videos show percussion instruction of increasing complexity. The drumstick “rabbit ears” you may see signify that the song is done.

Welcoming New Participants

This year, in addition to camp enrollees, AMC-Baltimore welcomed two students from OrchKids as well as a raffle winner from Patterson Park Public Charter School to join fiddle camp.

“OrchKids is a year-round, during and after school, music program designed to create social change and nurture promising futures for youth in Baltimore City neighborhoods,” according to their website, and Ayanna Wiggins and Isiah Dixon agree with that description. Yoshi was an OrchKids teacher for 8 years and had the “pleasure and privilege” of teaching both Ayanna and Isiah during his tenure there. He reached out to some of the site coordinators for suggestions of students who might be available to attend camp, and out of about 1,000 OrchKids among eight sites, Ayanna and Isiah were chosen to participate.

jnf6iAyanna, entering 10th grade in the 2018–2019 school year, has been playing violin for 7 1/2 years. She got into playing violin at Lockerman Bundy Elementary—the school where OrchKids debuted its program. “I like the sound of the violin—I just fell in love with it,” she explained. “And it was something to keep me productive.” She plans to apply to Harvard and Yale law schools in the next 2 years, but, “If being a lawyer doesn’t work out, I want to go to Julliard,” she said.

QJYm6Isiah, entering 8th grade, has been playing cello for 9 years. “In my 1st-grade year at Lockerman Bundy, I tried the cello and didn’t like it. Then I tried the clarinet and didn’t like that, so I went back to cello. Now I like it,” he said. He plans to pursue a music degree in college, supplemented by basketball.

Both OrchKids students enjoyed AMC-Baltimore very much, calling it “fantastic.” “With younger kids,” said Ayanna, “I get to be a mentor they can look up to. I can show them how enjoyable playing music is and motivate them.”

Final Performance

From “Boil ’em Cabbage Down” to “Elk River Blues,” the tunes delighted the audience and musicians alike. (But, sorry, no “Lobster Socks.”)

Mark your calendars for next year, folks, because AMC-Baltimore’s third year will bring even more of the music-making magic!

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TNCS’s Music Program Crescendoes!

Music education is essential at The New Century School. From classroom informal singing to formal vocal and instrumentation instruction to guest performances by professional musicians, TNCS exposes children daily to music in many forms.

As TNCS has grown and developed over the years, the music program has continued to evolve alongside. It’s time Immersed breaks it all down and shows readers what each piece looks like (sounds like?) and how the individual pieces fit together, well, harmoniously, all year long—including during summer and before, during, and after school.

TNCS’s Maestro: Martellies Warren

IMG_7074Music Director Martellies Warren has always been the linchpin of the TNCS music program. In addition to providing lessons in music history and on specific musicians, he also starts each academic year off with vocal instruction to prepare students for the two annual Winter and Spring Concerts (one each for primary students, one each for elementary and middle school students). These have grown in scope and intensity, with each somehow topping the last. Each show features a variety of songs in Mandarin Chinese and Spanish as well as a themed set of songs.

This year’s Spring Concert theme on May 18th was Dancing in the Streets, and the sound of Motown was prominent. “I’m always trying to make sure the concert is going to be as spectacular as it was the time before,” said Mr. Warren. “The students take great pride in it. From the time I introduce music at the beginning of the school year, I’m already thinking about what the children gravitate to. I played a little Motown, and they absolutely loved it.”

See the gallery below for photos of TNCS art teacher Jenny Miller’s beautiful set design, with album art help from her students. Check out TNCS’s Facebook page and YouTube channel for videos of individual performances.

For more on the limitless talent of Stellar Award–winning and Grammy-nominated Mr. Warren, see Music Is in the Air at TNCS! and TNCS Goes to the Grammys!.

Music Lessons at TNCS

But vocalization is not the only type of music class at TNCS. Instrument lessons are also offered in a variety of settings.

Have you visited the TNCS Music Education page? Click here.

Extracurricular String Lessons

In 2016, TNCS brought on acclaimed bassist Yoshiaki Horiguchi to teach beginning violin, viola, and cello lessons as well as leading more advanced string ensembles. These classes happen before and after school and are a great way for students to first learn the basics and subsequently use their skills to perform together.

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To read more about beloved Mr. Yoshi, visit TNCS Launches Strings Program Yoshiaki Horiguchi!.

Space is always made in the Winter and Spring Concerts for Mr. Yoshi’s students to play a few songs, and their technical proficiency is impressive. Check out TNCS’s Facebook page and YouTube channel for videos of a play set to music and an original composition (yes, original!) by one of the strings students.

Although Mr. Yoshi is classically trained, he is no stranger to music’s funkier sides, which brings a lot of fun to his TNCS classes. He has taught bucket drumming to various groups, for example, and, perhaps unknown to most until today’s Spring Concert, he is also an accomplished beat boxer. Doug E. Fresh and Biz Markie, watch out. (Got a kid who wants to learn beat boxing? Scroll below to Music in Summer!)

Instrument Exploratory

In 2017, TNCS began offering an optional semester-long class each year to allow students in grades 2–8 to explore various instrument groups. Taught by Mr. Warren during music class, woodwind exploratory covers flute for 5 weeks, followed by clarinet for 5 weeks. Brass exploratory, which happened this year, covers trumpet for 5 weeks, followed by trombone for 5 weeks. The instrument groups covered alternate each year.

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Trombone is Mr. Warren’s preferred instrument (apart from his vocal cords), but he started with the saxophone:

As a boy, I was all ready to play the sax, and I thought it looked so cool. I got to the music store in Montgomery, AL, picked up the sax and tried to play it. I knew it was going to take some time, but I got so frustrated because I just could not get it to sound like the guys on TV. So I begged my mom to take me back to the store, and she told me I needed to pick something and stick with it, to give it some time. The salesman suggested the trombone, and I immediately loved it. This was in 7th grade, and I became section leader and first chair all through junior high and high school.

Trombone has been well liked in Instrument Exploratory as well, but trumpet has so far been most popular of all. Mr. Warren thinks this is because kids can readily produce sounds on the trumpet, whereas some struggled last year with the flute (with one very notable exception).

“Flute is not a very easy instrument to play,” explained Mr. Warren. “You have to direct that air just right to get it to produce a sound. But that’s the experience we’re after. We’re not expecting amazing instrumentalists right away, but we want them to at least pick up instruments and see how they feel and how they sound. Maybe they’ll fall in love with something.”

More than one love affair with an instrument has happened already, which makes Mr. Warren “ecstatic.”

“They are doing some really wonderful things with brass and taking off with it. At this age, children are trying to find themselves, and we want to make sure that we’re offering whatever we can to assist them, especially musically. Whatever we can introduce to them now, even though they may not pick up on it right away, we hope that this will help sustain a lifelong love of music. Some may even make careers out of it.

His approach to teaching instruments is to start out with the fundamentals and systematically build on those, bit by bit. First, Mr. Warren “sets the tone” by insisting on good etiquette—musicians must sit up straight with their feet on the floor, and they must not interrupt while a fellow musician is talking or playing. Step two is to get everyone in tune. From there, they practice various exercises, each becoming more complex than the last.

Recorder Instruction

Those students not opting in for Instrument Exploratory receive recorder lessons during music class from Javais Bazemore (“Mr. J.” to students). Mr. J. says, “Recorder is what I grew up on, but I’ll play anything with a pipe. For me, recorder is the first thing that you start with. If you can read recorder music, you can read other music. It opens your eyes up to see exactly how it works.”

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He also sings and plays piano and guitar, but recorder remains his main gig, and he played it in band throughout his school years and even into college at North Carolina State University. “Being in band built a lot of character for me, and we felt like a family. We had a strict instructor who insisted that we respect our instruments and show discipline,” he explained. “Here at TNCS, we just want to show students how to read music because you can start with that and go to anything else, really.”

Mr. J. is from Baltimore and came to TNCS through the suggestions of friends and his mother that he should work with children. He started in the TNCS aftercare program, loved it, and has since added various other roles, including teaching recorder. He demonstrated his musical ability to Mr. Warren, who deemed him a good fit.

IMG_0573“It’s really fun to see where the kids are now, from where they started. I can just play a note like a G, and they know how to play it back with no problem,” said Mr. J. “I gave them incentive at the beginning. I told them that if they showed me they can remember all the notes, I’d give them a 30-minute play break at the end of school.” He didn’t necessarily believe that would happen. “Little did I know, they outsmarted me and became really cohesive, teaching each other,” he laughed.

“This has been really great,” said Mr. J. “I love the kids. They’re just so smart. They’re like sponges—they want to soak up everything, and it’s really good to be around them.”

Band Ensemble

With a solid foundation in place from instrument exploratory or recorder lessons, these young musicians are ready to play together during the last couple of weeks of school. “Students can choose from trombone, trumpet, clarinet, flute, and recorder, said Mr. Warren. “We’ll come together and do somewhat of an ensemble, which should be really fun.” In fact, all students Grade 2 and up participate in band, which was composed of 18 recorder players, 5 clarinetists, 6 trumpet players, 3 trombonists, and 1 brave flautist.

As with Instrument Exploratory, exercises start simply and build in complexity.

Special Guest Performances

Music education doesn’t just take place in front of an audience. Sometimes, experiencing music as part of the audience opens students up to it in new and important ways. A new performance series begins at the end of May, featuring professional guest musicians. “Meet the Musicians” will start with a brief concert by each musician, followed up by a Q&A for students to learn about what it’s like to pursue a career in music.

Louna Dekker-Vargas will play the flute; Osi Atikphh, the tuba; and Mateen Milan, the bassoon, giving TNCS students a break from performing and allowing them to relax and enjoy the music.

Music in Summer

We all know that the saying “No more pencils, no more books” no longer applies to summer break, and playing music is no different. To keep skills sharp, children must continue practicing during the summer months.

TNCS has that covered, too. Back for the second year in a row, American Music Camp students learn from faculty who perform American Music (e.g., old-time music from the Appalachian Mountains to traditional Bluegrass) in all parts of the country. Students have the opportunity to play in ensembles and learn how to improvise—no improvisation experience needed.

Directed by Mr. Yoshi, AMC Baltimore includes a bucket band and beat boxing in its curriculum, bringing a facet of American music that is unique to this region. No matter what his or her experience level is, any student will fit right in. Each class is taught by world-class faculty and performers from Baltimore and throughout the country.

Read about last year’s absolutely amazing inaugural AMC camp: American Music System Summer Camp at TNCS!

But that’s not all. Debuting this year is an all-new musical theatre camp taught by none other than Mr. Warren. This came about, he explains, “because a lot of TNCS students are interested in what happens behind the scenes and are curious about what it’s like to be a working music professional. They’re always asking, ‘Mr. Warren what do you do? How do you feel on stage? What’s the preparation? Do you rehearse a lot? Do you do vocal exercises?’ So my hope for this summer is to give them a taste of what it takes to be a performer on stage, how to channel emotions into theatrical form.”

His plans for theatrical music camp include building sets and doing monologues in addition to musicality. “It should be really fun and, hopefully, maybe spark someone’s interest in theater. That’s my hope,” he says. Parents can attend a performance at the end of the camp week.


Register your child for a music (or any other) camp this summer here. Also plan to enroll your child in a music class for the 2018–2019 school year. Both in-school and extracurricular lessons are affordable and taught by TNCS’s wonderful music instructors.